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  • Home
  • Portfolio
    • Biopolymeer
    • Ndakinna
    • Hohlicht
    • Real-Time Operator II
    • Augmented Scopes
    • 150 Million Tons
    • Past Sense
    • Buoys
    • Skumring
    • Infiltration
    • Lignicol Backstop
    • Yohaku-no-bi
    • Mix-Tape
    • Real-Time Operator
    • Cabin Crew – Prepare for Landing
    • Baryogenesis
    • Suomalainen Äänimaisema
    • Yiri II
    • Creek II
    • Yiri – Method of Loci
    • Changing Seascape
    • For a Creek
  • coming soon
    • Maintenance
  • coming soon
  • Home
  • Portfolio
    • Biopolymeer
    • Ndakinna
    • Hohlicht
    • Real-Time Operator II
    • Augmented Scopes
    • 150 Million Tons
    • Past Sense
    • Buoys
    • Skumring
    • Infiltration
    • Lignicol Backstop
    • Yohaku-no-bi
    • Mix-Tape
    • Real-Time Operator
    • Cabin Crew – Prepare for Landing
    • Baryogenesis
    • Suomalainen Äänimaisema
    • Yiri II
    • Creek II
    • Yiri – Method of Loci
    • Changing Seascape
    • For a Creek
  • coming soon
    • Maintenance
  • coming soon
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Changing Seascape

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Changing Seascape

audiovisual installation

For the 14th edition of the International Festival of Contemporary Sound Art, I designed a spatial sound composition for eight discrete channels, integrated into the structure of 6000 plastic balls.

The balls are arranged in semi-cylindrical form hanging on nylon strings, covered by iridescent blue light which derives from a two-channel video projection. The permanent interplay of colour visually corresponds to sounds of waterdrops which seem to drip from top to bottom within the assemblage.

find out more

Year

  • 2014

Location

  • Opening 14: International Festival for Contemporary Sound Art
  • TUFA Kulturzentrum, Trier, Germany

Activities

  • Festival
  • Exhibition
  • Audiovisual Installation

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