For the 14th edition of the International Festival of Contemporary Sound Art, I designed a spatial sound composition for eight discrete channels, integrated into the structure of 6000 plastic balls.
The balls are arranged in semi-cylindrical form hanging on nylon strings, covered by iridescent blue light which derives from a two-channel video projection. The permanent interplay of colour visually corresponds to sounds of waterdrops which seem to drip from top to bottom within the assemblage.